In
1977, he received
an offer from
Dimension Latina,
based in oil-rich
Venezuela, which
he could not
refuse and joined
the band as
singer until
1980, when he
left in order
to launch his
solo career.
Montañez released
several albums
in the 80s and
90s.
His
1983 album "Hoy
... y Ayer"
marked the 20th
anniversary
of El Gran Combo
and included
many of their
hits. Like El
Gran Combo,
Montañez used
two trumpets,
two saxophones
and one trombone
and a rhythm
section of conga,
bongo, timbales,
cowbells, maracas,
bass, piano
and chorus.
In 1985, Montañez
released a self-titled
album “Andy
Montañez,” which
was high up
on the charts
and was one
his best works.
It includes
the unsurpassable
song “Genio
y Figura” by
Catalino Curet
Alonso. Ernesto
Rivera was in
charge of the
arrangements
and Montañez’s
sons, Andy Jr.
and Harold,
the backup vocals.
Andy
Jr. and Harold
launched their
career as a
duet in 1987
with the release
of the album
"El Comienzo
del Camino,"
followed by
"Siguiendo el
Camino" in 1989.
Both albums
were produced
by the band’s
leader, trombone
player, arranger
and composer
Julio “Gunda"
Merced. Don
Perignon decided
to fly solo
as band leader
and made his
debut in La
Buena Vida!
in 1989. Luisito
Carrion was
among the three
lead singers.
He had previously
worked with
Gunda Merced’s
Salsa Fever,
La Terrifica,
and Bobby Valentin.
In
1990, Carrion
joined Sonora
Poceña. Andy
became the center
of controversy
when his appearance
at the 1989
Calle Ocho Festival
in Miami was
vetoed by Club
Kiwanis, the
organizer, on
the grounds
that Montañez
had visited
Cuba in 1979
with Dimension
Latina. Paradoxically,
he had been
allowed to appear
in the Festival
the previous
four years.
Andy’s response
was that his
political stance
was private
and that he
was not a Communist.
That year, Montañez
and El Gran
Combo participate
in the New Orleans
Jazz & Heritage
Festival.
Montañez
returned in
1990 with “Todo
Nuevo,” which
featured appearances
by some of he
best session
musicians of
Puerto Rico.
The song “Fantasma,”
arranged by
trumpet player
Tommy Villareny
was the album’s
first hit. Following
the tradition
of the Puerto
Rico Todos Estrellas’
albums of the
70s, Don Perignon
brought together
a mini-galaxy
of Puerto Rican
stars under
the flag of
La Puertorriqueña
for the 1990
Soneros festival.
The leading
Puerto Rican
composers Catalino
Curet Alonso
y Johnny Ortiz
contributed
with their songs.